爱情盲选:日本篇搜索结果

西瓜影院

一一之吻
大陆国语2006
《一一之吻》是根据著名作家万方的同名小说改编的,讲述了曾经是闺中密友的姚一(赵子琪饰)和杨一(何琳饰)都爱上郭先(耿乐饰),从而展开明争敢斗的故事。故事通过两个女孩成长为女人的过程,揭示了都市年轻人的情感匮乏与情感迷失。  故事就发生在你我的身边,都市中的两个女孩,姚一与杨一,相似的名字,相似的年龄,但并不相似的性格,并不相似的情感经历,她们坚信是命运和缘分使她们成为了无话不谈的好朋友,共同面对人生中的情感经历与生活挫折,两个女孩终成密友;但青春年少的她们却没有意识到命运的无常,当她们的友谊逐渐变得更加深厚的时候,却发现两人同时爱上了一个男人,而那个男人则徘徊于这两个女孩之间,无从选择,男人的态度让两个女孩开始了一场没有硝烟的战争,到底是因为爱情不可抗拒的排他性,还是因为内心中一丝丝自私的占有欲,两个人也渐渐迷失了方向。这时两人突然意识到,两人从某一瞬间开始从密友变成了敌人。  当友情陷入爱情的漩涡,女孩之间的心思慢慢变得缜密,亲密无间变成嫉妒猜疑,无话不谈变成勾心斗角,愤怒与激情占据了两人,谁也没有去考虑爱情到底为了什么而存在。三个人之间的友谊与爱情,孰轻孰重,何去何从。三个人在感情的硝烟和激情中慢慢成熟,他们试着在读懂自己,读懂爱情,读懂幸福,也许这就是每个人都要经历的成长阶段,也许这就是生活本身的魅力所在。  几个年轻人的情感纠缠,现实生活当中的情感体验,三个人的感情何去何从,谁将是这场情感战场上的胜利者,命运到底怎样安排,当一切的未知变为现实的时候,三个人才发现命运虽然戏弄了他们,却也励炼了他们……

西瓜影院

纽约夜月情
美国英语1993
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'  By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.  Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.  One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.  While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.  Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

西瓜影院

阿尔卑斯诊所
德国德语2006
讲述了丹尼尔博士是一个成功的脑外科医生,他即将和自己的生活伴侣阿拉纳搬到美国,在那里他接受了一份教授职位。但就在他们即将离开时,丹尼尔的哥哥卷入一场悲惨的摩托车事故而被带到医院救治,丹尼尔坚持领导操作。然而他的哥哥最终死在了手术室里,这带给了丹尼尔沉重的打击。由于无法接受哥哥的离世,丹尼尔在内疚之下做出了偏激的决定,他停止行医,甚至中断与阿拉纳的交往。他想逃避,因此需要离开柏林一段时间,去寻找教授亚历山大,一个与父亲一样的朋友,他住在萨尔茨堡附近的山区里。在那里,他见到了仪,高山诊所的继承人,和她的儿子弗雷德里克。在仪的父亲去世后,她就已经制定了医院的未来和目前的战斗计划,将其转换成保健及美容水疗医院。仪决心维持其运作,以患者康复护理医院为理想,她准备去争取她的成功。这一天仪见到丹尼尔她相信她找到了适合她医院的医生,但丹尼尔决定停止行医。另外阿拉纳似乎想要赢回他,并继续和他在美国对新生活的计划。丹尼尔并不想改变决定,但后来附近巴士发生的重大事故使得丹尼尔不得不挺身而出协助 - 小弗雷德里克的生命需要他拯救。为了摆脱沉重的压力,丹尼尔准备离开,弗雷德里克恳求他留下来,他突然明白了生命中真正想要的。在一个社区听证会上,丹尼尔突然到来,大声告诉台下的观众,他将担任阿尔卑斯山诊所医生。丹尼尔不仅在生活中找到了新的方向,而且还收获了仪这份意外的爱情。

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